Download the score to part 1.

soundscape music festival 2008

attention 6a only les restes du jardin by ajcolella

thurst by ajcolella

thriceLearned by ajcolella

theSS by ajcolella

Tour Videos!:

Glastonbury 2011

Nobel Peace Prize

Rock in Rio

2012 Tour

2011 tour dates…

Janelle Monae Summer Tour -

John Graham’s performance with electronics and a pleasant review.

Download the score.

Viola Sketches (Adam Matthes):
Sketches for Viola – I. by ajcolella

Sketches for Viola – II. by ajcolella

Sketches for Viola IV. by ajcolella

Sketches for Viola V. by ajcolella

Chris Ehsaei and I developed this game using an early version of the Qualcomm Augmented Reality Plugin for Unity3D. Most of the other games for this platform required large image trackers as game boards, so Chris and I searched for a tracker that was equally as portable as the phone and that most people would have with them constantly = $. We also strived for a simple UI and intuitive gameplay, which I think we were pretty close to achieving.

On January 31st 2010 Chris and I demoed the game on CNN with GT Professor Blair Macintyre.

Check out the Augmented Reality Toolkit and Unity Plugin.

Here is a video of the game:

Shotgun Showdown is a competitive, two player handheld augmented reality game. The game is played on top of a pair of US paper bills, putting the game space on top of the square formed by the money. The game is inspired by the idea of a western-themed shooting gallery, and the content is modeled as 2D cardboard cutouts.

invadeRemix

I developed invadeRemix in Febuary 2011 using openframeworks and FMOD.

motIvation

Most video games allow the user to interact with the environment using a sprite or avatar. This ouf-of body interaction (from user to sprite to environment) may provide goals, rewards, challenges, and lessons throughout the gaming experience. All the while, the physical environment remains unaccessible to the user. In most scenarios, the isolation of user and environment is likely due to a number of factors but can largely be accounted to the fact that gaming is for users and game developing is for a game engine(er), and the task of moving around scenery and breaking level logic might be disastrous, uncontrollable, or simply boring. While this could potentially lead to interesting hacks or creative levels, more focused implementations of game editors have been previously successful. Many first-person shooters, such as Counter Strike and Red Alert offer map editors that allow a user (outside of gameplay) to remake a level or develop one from scratch. New versions of Guitar Hero permit users to create their own songs. Allowing the user to create simplified and localized parts of the game provides constant entertainment for seasoned users.  One of the missed opportunities of environment editing is audio.

gamepLay

invadeRemix gives the user the power to choose their own game sounds while playing Space Invaders. Providing the user a musically interactive interface along with typical gameplay allows the user to control higher-level game design parameters that are typically only manipulated by game designers. While this may provide entertainment during the remix phase of playing the game, the end goal of invadeRemix is to then provide a database of user-created sonic environments to anyone that wants to play the game with a new pallet of sounds. With a large database of these sounds users could create many different versions of the game such as a version that uses only text or a version of farm animal noises. With this unlimited pallet of sound options for the game, playing the game helps users look for new strategies and goals that provide atypical rewards. For example, normally the entire object of the game is simply to shoot all of the invaders for as many points as possible. By adding control over the sounds in the game, particularly shooting and destroying objects with different sounds, users now strive to shoot for different invaders so that the sonic environment would change accordingly.  When an object in the scene is tapped, editor controls appear for the highlighted object. The editor includes the following features: – a sixteen-step sequencer for each object in the scene that shows the current beat as well as four different positions where that scene object will be heard – pitch control for each invader – volume control for each scene object – shake across the x axis to create a chorus effect – shake across the y axis to create distortion – color feedback for change in pitch and effect These audio effects combined with a number of sound files for the invaders provides for an entertaining step-sequencer performance and with more development could be a very entertaining overall experience. While a few other opportunities are available for editing the sound of the game, such as scoring and explosions, the current features provide enough sound for constantly textures.

also reminds me of this